At 11 and 12, the jump gets its craft: RUN-UP RHYTHM (consistent approaches that arrive at the same takeoff spot: the chalked check-mark's first career), the PENULTIMATE feel (the second-to-last step lowering slightly so the last step launches: felt, never lectured), and BOUNDING progressions with real (small) volume. The measured battery (standing jump, run-up jump, vertical) gets logged quarterly.
This session runs about an hour on grass. Landing integrity turns non-negotiable (the growth window opens here), max-effort jumps stay counted and rested, and the frame matures: jumping is elastic sprinting aimed upward, and the approach's quality decides more than the leap's effort.
This plan was written for every 11 and 12 year old. ParentEdge writes one for yours.
Built around their game, their goals, and what they’re working on.
The second-to-last approach step, settling slightly lower to load the takeoff spring: the technical heart of long and high jumping. Taught as sensation (sink-then-POP) because biomechanical explanation reliably breaks young rhythm: the body learns the physics through the feel, and coaches refine it later on runways.
Small and immaculate: five short quality trips with full rests and graded landings, weekly-ish. The growth window makes tendons and growth plates the governors: crisp modest volume builds elastic power, while fatigued or crash-landing volume just spends the joints. Quality is the entire dose.
Trend lines, not talent verdicts: standing jump (raw power), run-up jump (craft multiplying power), vertical (elastic expression), logged quarterly against the self. Growth makes the line jagged on purpose; the multi-year march is the story, and it motivates better than any single measurement.